A “Fresh Approach” to Schumann

Inna’s guest appearance last weekend with the Miami Symphony Orchestra drew a rave review from the South Florida Classical Review. Here’s what Lawrence Budmen wrote:

An associate professor of piano at the UCLA Herb Alpert School of Music, Faliks is a well traveled soloist who will hopefully schedule more stops in South Florida. On Sunday she proved to be an interesting and musically imaginative artist. From the opening bars of the Schumann concerto, Faliks bent the musical line, coloring her phrases with subtle rubato. She brought plenty of power to the keyboard-spanning runs and octaves. Her pearly tone and poetic bent suggested a more Chopinesque approach.

In the second movement Intermezzo, Faliks’ winning combination of whimsy and heart-on-sleeve fervor turned the short opening figures into a burst of pianistic song. The Allegro vivace finale was replete with bold syncopations but Faliks’ elegant and impulsive shaping of thematic lines was always cleanly articulated. Her lighter approach to the score was musically engrossing and refreshing. Marturet and the orchestra provided full bodied support with the deep tone of the cellos in the secondary subject of the Intermezzo movement particularly distinguished.

A standing ovation brought Faliks back for Liszt’s La Campanella as an encore. She deftly traced the melodic curves of the familiar theme and drew a bell-like sound.

Read the full review here: “Pianist Inna Faliks reinvigorates a Schumann standby”

  1. Rzewski "The People United Shall Never Be Defeated" (excerpt, improvised cadenza) Inna Faliks 8:36
  2. Mozart Piano Concerto #20 - I Inna Faliks with Chamber Orchestra of St. Matthews 15:12
  3. Mozart Piano Concerto #20 - II Inna Faliks with Chamber Orchestra of St. Matthews 10:27
  4. Mozart Piano Concerto #20 - III Inna Faliks with Chamber Orchestra of St. Matthews 8:26