Textura Review

by Ron Schepper

Reimagine: Beethoven & Ravel

With [this solo piano release], Inna Faliks shows herself to be both extraordinary musician and inspired conceptualist.

Enhancing the impact of the recording, the six bagatelles appear alongside the compositions they inspired.
Collectively, the results are stunning, for both Faliks’ impeccable execution of the material and the sensitivity she demonstrates in her interpretations.

Faliks gives eloquent voice to the material, and her assured command of tempo and phrasing makes listening to her all the more rewarding. Reimagine succeeds on multiple levels.

Take Effect Review

by Tom Haugen

Reimagine: Beethoven & Ravel

The piano genius Inna Faliks turns in an incredible interpretation of Beethoven and Ravel with Reimagine, where she brings ingenuity to classic compositions while still keeping the integrity of the originals intact. […] Faliks displays incredible flexibility.

“Variations On A Spell”[…] twinkles with a meticulous manipulation of keys as Faliks offers a dreamy, absorbing landscape.

Nine modern day composers were brought in for this effort, including Richard Danielpour, Billy Childs and Timo Andres, to name a few, and together with Faliks’ technical prowess, they offer us Classical, Romantic and contemporary pieces that breathe new life into already exceptional music.

Gramophone Review

by Guy Rickards

Reimagine: Beethoven & Ravel

This album is, quite simply put, a real surprise. Not just for the fine playing of Inna Faliks or her imaginative programming, but for the quality of the nine new works that reimagine collectively the two pianistic classics at the heart of the programme.

Each [of the responses to Ravel’s Gaspard de la nuit] is a substantial, independent concert work in its own right. […] Billy Childs’s Pursuit is a ‘Scarbo’ for the 21st century, tailored to Inna Faliks’s cultured pianism. […] Impressive.

Lucid Culture Review: “A Fascinating Collection of New Piano Music and the Beethoven and Ravel That Inspired It”

From Lucid Culture, June 12, 2021 also in New York Music Daily

Pianist Inna Faliks excels particularly at innovative and interesting programming, whether live or on album. On her latest release, Reimagine – streaming at youtube – she’s commissioned a fascinating mix of contemporary composers to write their own relatively short pieces inspired by, and interspersed among, Beethoven’s Bagatelles, Op. 126. She also includes a handful of new works drawing on Ravel’s Gaspard de la Nuit. It’s a big success on both a curatorial and interpretive level.

With the Beethoven, Faliks is typically understated, yet finds interesting places for flash. In the first Bagatelle, she employs very subtle rubato and a jaunty outro. She gives the etude-like No. 2 a light-fingered staccato, then brings the brings ornamentation front and center in No. 3, a counterintuitive move. In No. 4, she shows off a calm precision and nimble command of how artfully phrases are handed off – along with the jokes in the lefthand.

No. 5 is very cantabile, yet almost furtive in places. And Faliks approaches No. 6 with coy staccato but a remarkably steadfast, refusenik sensibility against any kind of beery exuberance.

In the first of the new pieces, Peter Golub‘s response to Bagatelle No. 1, ragtime tinges give way to acidic, atonal cascades and a bit of a coy tiptoeing theme. Tamir Hendelman‘s variation on No. 2 has Faliks scampering slowly, coalescing out of a rather enigmatic melody through a bit of darkness to a triumphant coda.

Richard Danielpour‘s Childhood Nightmare, after No. 3 is the album’s piece de resistance and the closest thing here to the original, steadily and carefully shifting into more menacing tonalties. Ian Krouse’s Etude 2A, inspired by No. 4 is also a standout, with spare, moody modal resonance and a racewalking staccato alternating with scurrying passages.

Arguably the most lyrical of the new pieces here, Mark Carlson‘s Sweet Nothings is a slowly crescendoing, fond but ultimately bittersweet nocturne built around steady lefthand arpeggios. In David Lefkowitz‘s take on No. 6, after an intro that seems practically a parody, Faliks works a subdued, swaying 12/8 rhythm amid murky resonances.

Next up are the Ravel-inspired works. Paola Prestini’s neoromantically-tinged triptych Ondine: Variations on a Spell begins with the broodingly impressionistic low-midrange Water Sprite, followed by the Bell Tolls, with a long upward drive from nebulosity to an anthemic, glistening payoff. The finale, Golden Bees follows a series of anthemic, flickering cascades

The album’s longest work is Timo Andres‘ Old Ground, an attempt to give subjectivity to the unfortunate victim of the hanging in the gibbet scene via distantly ominous, Philip Glass-ine clustering phrases and eventually a fugal interlude with echoes of both gospel and Rodgers and Hammerstein. Faliks winds up the record with Billy Childs‘ Pursuit, using the Scarbo interlude as a stepping-off point for an allusively grim narrative where a black man is being chased: possibly by the Klan, or a slaver, or the cops. A steady, lickety-split theme contrasts with still, spare wariness and a stern chordal sequence straight out of late Rachmaninoff.

Cinemusical Review

by Steven A. Kennedy

Reimagine: Beethoven and Ravel

“[Works by Prestini, Andres, and Childs] provide some windows into Faliks’ technical virtuosity, … [highlighting] her interpretive, lyrical playing well.  This ample collection of pieces gives listeners a good appreciation of her skills.

Faliks performances are solid here and the works make extensive exploration of the rich sound of the piano which is captured well in this release.  These re-imaginings make a fine introduction to Faliks’ programming approaches and the Beethoven performances should stand well against any others.”

Full Review

  1. La Campanella, Paganini - Liszt Inna Faliks 4:53
  2. Rzewski "The People United Shall Never Be Defeated" (excerpt, improvised cadenza) Inna Faliks 8:36
  3. Beethoven Eroica Variations Inna Faliks 9:59
  4. Gershwin: Prelude 3 in E-flat Minor Inna Faliks 1:25
  5. Mozart Piano Concerto #20 - II Inna Faliks with Chamber Orchestra of St. Matthews 10:27
  6. Gaspard de la Nuit (1908) : Scarbo - Ravel Inna Faliks 9:07
  7. Sirota by Lev 'Ljova' Zhurbin Inna Faliks 7:45