by Guy Rickards
This album is, quite simply put, a real surprise. Not just for the fine playing of Inna Faliks or her imaginative programming, but for the quality of the nine new works that reimagine collectively the two pianistic classics at the heart of the programme.
Each [of the responses to Ravel’s Gaspard de la nuit] is a substantial, independent concert work in its own right. […] Billy Childs’s Pursuit is a ‘Scarbo’ for the 21st century, tailored to Inna Faliks’s cultured pianism. […] Impressive.