by David Wright
“Pianist Faliks worked expertly at the keys, the pedals, and inside the instrument to produce the volatile mix of roars, pings, and misty resonances in this world premiere of Johnson’s score.”
News
ConcertoNet.com – The Classical Music Network
by Harry Rolnick
“That wondrous virtuoso pianist Inna Faliks has commissioned music to be written for the Ukrainian-Russian cult novel–symbolic, funny, sarcastic, allegorical and damned frustrating–The Master and Margarita, some of which was played here.”
LA Opus Reviews Hollywood Piano Trio at the South Bay Chamber Music Society
by David J Brown
“…the improvisatory freedom of the Trio’s playing made particularly relishable the harmonic and melodic twists and turns that Beethoven executes in the first movement’s development section—which seem at the same time exhilaratingly unexpected and immediately inevitable.”
“…the concisely tensile Finale, kicked off by an imperiously arresting handling of the opening flourish by Ms. Faliks, was duly navigated back in masterful fashion through echoes of its predecessor to the final haunting reappearance of the first movement main theme…”
“…their combination of powerful emphasis and observation of the Allegro moderato marking enabled a truly exultant acceleration into the final Presto that set the seal on a fine performance of one of the greatest piano trios in the repertoire.”
What’s on my piano today? – Installment 4
San Francisco Classical Voice
by Ben Kutner
“Pianist Inna Faliks gave the convincing world premiere of composer Richard Danielpour’s Eleven Bagatelles for the Piano along with a program of Chopin and Schumann, Sunday night at the Wallis Annenberg Center for the Performing Arts. A concert pianist has the task of maintaining momentum throughout an evening of solo works, and Faliks delivered.”
What’s on my piano today? – Installment 3
Listen to Sundays Live, Recorded Live at LACMA
Inna recently made a stop in LACMA at Sundays Live, broadcasted live on April 21, 2019 at the Leo S. Bing Theater.
“It is my 15th and last performance at Bing – before they close for rebuilding. This hall is going to be torn down, and a new one built – a smaller one.”
Click here to listen to Inna’s broadcast performance of Beethoven: Six Bagatelles, Opus 126, and Schumann: Symphonic Etudes, Opus 13.
The Future of Classical Music is Chinese
Inna’s new op-ed with the Washington Post highlights her recent concert tour and visiting professorship in China:
“But as I looked at the line of young pianists, I thought that I stood face-to-face not with the past, but with the future of classical music.
I found the passion, drive and work ethic of Chinese music students staggering. And the dedication from the audiences was evident, as every seat — regardless of the city — was always taken. Reverence for Beethoven, Chopin, Tchaikovsky and Schumann seems to have no connection to any economic or political agenda.”
Read the full article here.
Rachmaninoff, Prokofiev, Scriabin with Inna Faliks
Close Encounters With Music’s new article features a Q & A with Inna, highlighting her March 23rd performance at the Mahaiwe Performing Arts Center in Great Barrington, MA.
Q. You are often called an “adventurous” artist. What does it take to be adventurous in an age when everything has been tried and heard?
A. I think being adventurous has to be in the personality of the performer. If one is trying hard to be adventurous, the result can come out forced, inorganic. I just am who I am, I think. I know I am passionate about music, about people, about art and sharing the art and having a large well of emotions and experiences to draw from. I think that communicating the essence of the music to the audience makes the music relevant, and to me, communication is the most important part of a performance.
Read the full article here.